Entertainment

The Disney Year: Melancholy without sincerity

Hound dog Copper protects his one-time childhood friend Tod from the aim of his owner in the film’s climatic scene (Disney).

Nathan Tucker, A&E Editor
October 14, 2015

The output of Walt Disney Animation Studios–currently totaling 54 full-length films–has been cherished by audiences young and old for almost 80 years. In this weekly online feature, arts and entertainment editor Nathan Tucker will review and rank each of them.

There is a single powerful moment at the close of The Fox and the Hound where the Hound silently stands guard over the Fox, a moment so potent it almost forgives the rest of the film. Almost, but not quite. One example of real emotional impact is nothing compared to the maudlin excess that drowns it out.

The awful truth is that The Fox and the Hound believes its own hype about how terribly and tragically sad it is. In every scene, the audience can sense the animators sneaking a glimpse at them– “do they love the baby animals? do they love how beautiful and pure their friendship is? how devastated will they be when they become bitter enemies fueled by pure animal rage?” Every frame is pathetically self-conscious and cliched, tremendously overworked.

That those frames suffer from flat and bland animation (like the previous film, and the one before that, and–) does not help. It may have improved since The Rescuers, and the Bambi-aping backdrops are nice enough, but it’s hard to believe that it took four years to animate this. Stressing the obvious Bambi parallels is a mistake here, as it pales in comparison.

But the worst thing, the absolute worst thing, is that for a story which hinges entirely on being achingly, gut-wrenchingly depressing The Fox and the Hound pulls its punches. The egregious example is that it fails to kill off Chief, the old mentor dog, in Act II and then makes his “death” (or lack thereof) the main motivation of hunter Amos Slade and houndog Copper for the remainder of the film. By shirking any real dramatic weight, then suddenly shouldering it, the film loses any tonal and emotional reliability. Why bother?

Yes, there may be an eloquently dark and considered scene at the climax of The Fox and the Hound. But most viewers will have walked out by the time it plays out.

The List: